Cal·limac h. VI, Euforió fr. 8 Powell i les "tauletes de maledicció" de Cnidos

The scene from Callirnachus' H. VI in which Derneter, under the appearance of her arateira Nicippa, curses Erisichthon rnay be related to the arai of Cnidos. On the other hand, Euphorio fr. 8 Powell can be understood better in the light of the curses of Cnidos, where the culprit's name is not rnentioned ut rhe first stage; a similar interpretation can be applied to Ovid's Ibis 7-10, which was probably inspired on Euphori

L'Absolució d'Orestes i l'angoixa de l'espectador

The trial scene in the Eumenides of Aeschylus has been interpreted as a notorious example of tragic ambiguity, where beside the joy remains the ancestral anguish. An unbiased reading of the text and a closer study of the Athenian myths and rituals helps to interpret the scene in a more appropriate manner to the cultural context of Aeschylus

Aeternum: a trading card game with augmented reality

This Bachelor’s Thesis explores the fusion of traditional Trading Card Games with Augmented Reality technology, primarily focusing on the Aeternum TCG. The project’s aim is to improve the learning experience of new players by using a companion AR app. The project draws inspiration from renowned TCGs like Magic: The Gathering, Force of Will or Yu-Gi-Oh! To gain insights into game mechanics, card design and accessibility and design a deck that is simple to use but has depth. The deck and the app that have been developed have been refined in play testing sessions to create a fun and complex game that can be easily understood by all kinds of players. This project is a glimpse into the potential of merging traditional tabletop games with new technologies to improve the experience of the users

L’humanisme medieval de Joan Rois de Corella

Joan Roís de Corella usa el tema de l’escala dels éssers i el de l’ànima bestialitzada pels vicis usant exemples de la tradició clàssica però en realitat la ideologia i els principis morals amb què ho fa depenen del desenvolupament que la moralitat cristiana ha fet d’aquells temes. L’un i l’altre es troben units en el text sobre la disputa entre Àiax i Ulisses, on Corella els usa d’una manera tal que són una representació de la seva pròpia actitud com a escriptor